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What's behind agents' sudden optimism

͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­

	Forwarded this email? Subscribe here for more 🎧 Mubi vs. Marvel: A New High-Stakes Film Era What's behind agents' sudden optimism May 30   READ IN APP   Share Upgrade to paid Mubi vs. Marvel: A New High-Stakes Film Era The Ankler Podcast 29:51 Subscribe on Apple Podcasts Big-name agents haven’t been this bullish on indie film in years, while Marvel can barely crack $450 million per movie. So what’s changed? Dealmakers’ Ashley Cullins joins Elaine Low and Sean McNulty to dissect why optimism surged out of Cannes, and how Mubi, fresh off a splashy $24 million acquisition for Jennifer Lawrence’s latest, is viewed as a market signal. Meanwhile, Sean weighs the quality issues and audience shifts plaguing Marvel and its budget catch-22. Plus: Why directors are the new IP, and whether the Fantastic Four reboot can turn the Marvel tide. Leave a comment Follow us: Instagram | YouTube | LinkedIn | Bluesky | TikTok | X | Threads | Facebook | WhatsApp Give a gift subscription Got a tip or story pitch? Email tips@theankler.com. To advertise to our 130,000 subscribers, email London@theankler.com. ICYMI The Wakeup APPLE, NETFLIX Keep Writing TV Series Checks Blackmail, Bribes, Cockroaches: 10 Worst Moments of the Week Oh Shari! You pretty things... Richard Rushfield looks at the worst of the week, now playing at an entertainment industry near you. TV Agent Panic as News Talent Goes Solo; WME Blocks Joy Reid ‘An avalanche of capitulation,’ says Steve Schmidt of cable as Piers Morgan, Jim Acosta & more tell Claire Atkinson about life in Substack, YouTube and…the Noosphere?! The $3M Episode Squeeze: Downton Duo Rethink How to Sell Prestige TV Carnival Films’ Gareth Neame & Nigel Marchant tell Manori Ravindran how they navigate a budget-crunched global market and life inside NBCU Mubi’s $24M Bet Just Made Agents Bullish Again. Here's Why CAA’s Roeg Sutherland, WME’s Deborah McIntosh and more tell Ashley Cullins why the JLaw-Pattinson Cannes buy signals that the market ‘turned a corner’ Joe Biden & Hollywood: Gerontocracy, Kleptocracy, Kakistocracy? A new book names names in the Worst Generation web of DC's leaders and ours, Richard writes Ordinary People Enduring Life Under Dictators: The Cannes Jury’s Choice Analysis: The just-wrapped fest honored films ‘from human points of view’ that critics loved, Claire Atkinson reports. But will audiences? The Palme D’Oracle Strikes Again as Neon Scores its 6th Winner Mon Dieu! The jury’s ‘Conclave with Champagne’ deliberations leave U.S. filmmakers in the cold as a slow market wraps Exclusive: Hacks Just Dropped 30 Emmy Submissions — I Got the List The comedy series incumbent will compete in 20 different categories, Katey Rich reveals, with Deborah to Dance Mom on the ballot as they gun for 'The Bear' record 🎬 Richard & Sean: Lilo & Tom Turn Up the Nostalgia Taking stock after a record-breaking Memorial Day weekend 🎧 Designing Rebellion: Pirates, Rebels & Untold Stories of 'Andor' The Star Wars series' costume supervisor, production designer and composer reflect on how they ran with creator Tony Gilroy's directive 🎧 Say Nothing: Tackling ‘Profound and Tough Questions’ of the Irish Troubles How the FX limited series’ creator, director & cinematographer conveyed three violent decades in Northern Ireland 🎧 Bruce Vilanch & the Wild World of 1970s Variety TV Spectaculars The maestro on his infamous trio: the Star Wars Holiday Special George Lucas disowned, the Paul Lynde Halloween Special and the Brady Bunch Hour 🎧 Cheers & Art of the ‘Norm!’ Entrance Rob Long on the pleasure of writing for George Wendt 🎧 Palme Today, Oscar Tomorrow? Katey breaks down post-Cannes Film Fest buzz with Chris Feil. Plus, Severance star Britt Lower & creator Dan Erickson take Katey inside the dystopian drama Like & Subscribe, a creator economy newsletter Secret Lives of Mormon Wives: How Swinging, Scandal, Soda = Big Bank YouTube Stormed TV. Now They Want Its Emmys Too The Optionist, a newsletter about IP A Magical (and True) Houdini Tale A Buzzy Spy Thriller Back on the Market   Like Comment Restack   © 2025 Ankler Media 11990 San Vicente Blvd., Suite 350, Los Angeles, CA 90049 Unsubscribe